Longquan Celadon High-Stem Cup with Relief Decoration of Intertwined Lotus Design
Longquan Celadon High-Stem Cup with Relief Decoration of Intertwined Lotus Design
Capacity | Diameter | Depth |
75CM | 7.7CM | 5.9CM |
Pack | Food-Safe | Material |
Gift Box | ✔ | Ceramics |
Longquan Celadon Relief Craftsmanship: The carved design is a distinctive feature of Longquan celadon, differing from the vibrant colors of Jingdezhen porcelain. This craft requires a high level of skill, as the artist must control the carving depth and pressure carefully. The depth and gradient of the patterns create a sense of texture and three-dimensionality. When you hold the cup, you can feel the intricate and smooth design, providing a wonderfully tactile experience.
Celadon Glaze Color: Longquan celadon primarily features shades of green, ranging from dark to light. Its thick glaze is one of its defining characteristics, resulting in a jade-like smoothness and clarity after being fired at 1300°C. This monochromatic glaze is challenging to perfect, as celadon aims for simplicity; even the smallest bubble or black spot is easily noticeable, much like a blemish on a white sheet of paper. As a result, the success rate of producing flawless celadon is relatively low.
Intertwined Lotus Pattern: The intertwined vine pattern originated in the Han Dynasty and flourished during the Ming Dynasty. Officially called the "intertwined vine design" and colloquially known as the "intertwined flower" or "vine of longevity," this motif is characterized by its continuous, unbroken structure, symbolizing eternal vitality and auspiciousness. It is derived from the stylized forms of vines and curled grass, displaying a graceful, dynamic, and vivid aesthetic. Like the lotus petal, swirling cloud, ruyi (auspicious symbol), and fret (key pattern) motifs, the intertwined vine pattern is an important decorative element in ancient Chinese art. It is widely used in carving, ceramics, furniture, lacquerware, weaving, embroidery, jade carving, New Year paintings, papercutting, stone inscriptions, and even in the molds for traditional pastries.